Thursday, January 30, 2020

Recommendation Letter Essay Example for Free

Recommendation Letter Essay In my opinion, I have never before written a recommendation letter where the candidate and the opportunity were such a perfect fit. I have known Janet Lerner for two years now, since she took my introductory course in dinosaurs during her sophomore year. In my long teaching career, I have never met an undergraduate student with such a genuine and focused interest in paleontology, and such a clear aptitude for it. I will demonstrate this by speaking to Janet’s ability as a communicator, her specific interest in dinosaur paleontology, and her maturity and integrity. Janet informs me that you are seeking a skilled communicator to give tours of your animatronic displays. Even during her sophomore year, Janet was a skilled communicator on the subject of dinosaur paleontology. In my class, for which she received an A, Janet wrote two compositions: one on the roots of the discovery and the characteristics of Deinonychus; one evaluating the defensive capabilities of Euoplocephalus. Janet proved herself not only exceptionally articulate and schooled on the subject at hand, but she also showed herself capable of wielding an argument—moving from premise to conclusion based on relevant evidence. Janet also did all this with style and flair. I cite excerpts from her papers: â€Å"Previously seen as cold-blooded, pea-brained lizards . . .† and â€Å"The toe muscles acted as a spring mechanism to flick the claw around towards the back of the foot.† For me, such articulations underscore both Janet’s authentic fascination with dinosaurs and her ability to communicate that excitement and knowledge to others. As an academic advisor to the dormitory where Janet lives, I frequently witness her interactions with others and know first-hand of her community service. Last year, Janet was the elected vice-president in the dormitory, and in this role she was responsible for numerous functions, including faculty/student lunches and a recruiting phoneathon. Janet is well-respected in the dormitory—a popular figure known for her honesty, calm, and kindness. I have seen her handle delicate situations with discretion, and she handles herself in all situations with poise. Finally, Janet has strong convictions tempered by good judgment and reason; she has firm spiritual roots and an active, diverse, social life; she is loyal, committed, and clear-sighted. It is a rare treat to encounter a student as impressive as Janet Lerner, and if you give her the opportunity I am sure you will find her equally impressive. Please do give her your most thoughtful consideration.

Tuesday, January 21, 2020

king mike :: essays research papers

Chapter 1 1)  Ã‚  Ã‚  Ã‚  Ã‚  The Four purposes of writing are to: inform, persuade, express oneself, and to entertain. To inform may be to further educate the reader on a topic of intrest such as taking care of pets. Trying to sway a reader on a topic such as wheather abortion is moral or not is an example of persuasive writing. Self expression is apearent in poetry along with personal essays. And any child who has ever been read to can tell you how entertaining writing can be. 2)   Ã‚  Ã‚  Ã‚  Ã‚  When writting a paper the audience is the most important thing to think about. You want to make sure the peice you are writting is not only entertaining to them so they will read it but also they can understand what you are trying to express. A third gradder would not be able to even comprehend, never mind enjoy a paper on quantum physics, nor would a physisist find much joy in reading See Spot Run . It is the audience that would be dictating what a good paper is and if they dont understand it they would most likely not like the paper. 3)  Ã‚  Ã‚  Ã‚  Ã‚  What is the audience’s educational level, age social class, and economical status? You don’t want to write on a topic that the audience will not or can not relate to whatsoever such as a 10 year old may not comprehend the stress of the great depression, they most likely just want to read to enjoy themselves.   Ã‚  Ã‚  Ã‚  Ã‚  Why will the audience read the writing? Is it to gain information, or be entertained, or maybe to try to understand a veiw on an issue that is presented. There neesd to be a purpose to all writing. If your audience wants to be informed then allow them to learn by providing details and well presented information.   Ã‚  Ã‚  Ã‚  Ã‚  How will the audience respond? If you have a hostile (opposing audience) then try to make your comments less agressive and follow them up with details and evidence to support your main themes. Having a neutral audience then you want to provide an effectively presented arument to persuade them to beleive in your veiws.   Ã‚  Ã‚  Ã‚  Ã‚  How much do they know about the topic? This will allow you to judge wheather you are saying too much or too little in your writting. If they have little to no knollage of the topic then be sure to explain things in great detail.

Monday, January 13, 2020

Characteristics of Modern English Drama Essay

Godot’s 60th: The University of Reading archive shows the first night Pic: Roger Pic So why are we still waiting for Godot? How has Samuel Beckett’s play grown from a tiny avant garde performance in Paris to become part of the West End theatre coach party circuit? It’s 60 years since Samuel Beckett’s play Waiting for Godot received its premiere in the Theatre de Babylone in Paris. The first public performance, in its original French form of En attendant Godot, drew an audience of high-brow Parisians, taking in the latest experimental theatre. â€Å"All the thousands who claimed they were there could never have been at the premiere. There weren’t enough seats,† says James Knowlson, Beckett’s friend and official biographer. They also couldn’t have realised that this play, beginning its shoestring-budget run on 5 January 1953, was going to be seen as one of the pivotal moments in modern drama. International appeal So why has Waiting for Godot proved so durable? How has Beckett’s work outlasted the other iconoclasts and angry young writers of the 1950s and 1960s? â€Å"I would suggest the answer lies in its ambiguities. So much is suggested rather than explicitly stated,† says Prof Knowlson. A programme from Godot’s first setting at the Theatre de Babylone in Montparnasse, Paris â€Å"People can read into it what they want to read into it.† This openness to interpretation has helped the play to avoid becoming dated, he says. For a play that’s about the passing of time, it’s curiously timeless. It asks all the big philosophical questions – about life and death and the uncertain purpose of what goes on in between – but in a way that isn’t limited to a particular place or era. And the play has acquired a remarkable record for being performed in very different international settings. No disaster or civil strife is complete without its own Godot. It was performed in Sarajevo under siege in the 1990s, in South Africa it was seen as a critique of apartheid and in the wake of Hurricane Katrina a performance in New Orleans was seen as an emblem of the city’s wait for recovery. Inmates in San Quentin prison in California saw it as their own story in a famous production in the late 1950s. Prof Knowlson’s friendship with Beckett has also created a rich and unexpected legacy for his university, the University of Reading, which now holds the biggest archive of Beckett-related material in the world. From the early 1970s, the playwright began giving manuscripts and notes to Prof Knowlson, stuffed into bags, boxes and suitcases. And this Beckett International Foundation has grown to become the definitive European collection for researchers. â€Å"He adopted us,† says Prof Knowlson – although the attention-shunning writer was never persuaded to visit the archive in person. As Waiting for Godot reaches its 60th anniversary, the university has artefacts and pictures from the original performances. ‘Something extraordinary’ It’s also a reminder of how easily the play might not have happened at all. Samuel Beckett at the BBC recording a series of his plays in 1977There were no famous faces or big funders to back the play. Instead it depended on the actor and director Roger Blin to hustle for cash and a venue – and once it had begun it relied on word of mouth for survival. None of the original cast are still alive – and the theatre itself shut down a few years after staging Beckett’s play. In an interview with French television in the 1960s, Roger Blin suggested the initial power of the play. When Beckett showed him the script: â€Å"I said to myself: This is something extraordinary and it must be put on.† Another playwright who was enlisted in the search for funding fervently promised Blin: â€Å"I will defend this play to the death.† It was still proving controversial when the first English version of the play was performed two years later in London, directed by a 24-year-old Peter Hall. Harold Pinter, also then in his twenties, saw Beckett as the the â€Å"most courageous, remorseless writer going†, while reviewer Bernard Levin described Waiting for Godot as â€Å"a remarkable piece of twaddle†. Not a ‘miserabilist’ Prof Knowlson is himself now one of the most important living links with Beckett. Continue reading the main story â€Å" Start Quote He could be very convivial, very witty, very good company, with a great sense of humour† Professor James Knowlson Beckett’s friend and biographer. And he recognises that the continuing interest in Beckett’s writing is wrapped up in the fascination with the enigmatic character of the author. His photogenic alienation has become a kind of literary brand. But Prof Knowlson argues against the view of Beckett as a â€Å"miserabilist†. â€Å"He could be very convivial, very witty, very good company, with a great sense of humour. â€Å"But there was an element of depression and despair that was part of his life, particularly after the war when he was deeply involved in writing the novels.† He says that Beckett’s idea of a happy Christmas would have been a solitary occasion. â€Å"He would have been preferably on his own and writing. He hated that kind of thing.† The underlying humour is also part of the continuing appeal of Waiting for Godot, he argues. It’s often a peculiarly bleak comedy of resistance, but the thread of humour is always there to leaven the gloom. It’s now a commonplace to see Waiting for Godot described as one of the most important plays of the 20th Century – with its reputation gathering momentum rather than fading away. The kind of movie actors who would have reached the career point of wanting to be in King Lear now want to shuffle across the stage in Godot. Design conscious A key reason for this growing resonance with audiences, Prof Knowlson says, is the visual appeal. Beckett’s strong images appeal to a design-conscious, visually-literate culture. â€Å"They have this strong visual element. I’ve become much more conscious of the filmic quality.† A handbill advertising the first run of Waiting for Godot Prof Knowlson says that he increasingly believes there is a direct link between the plays and Beckett’s interest in painting. â€Å"He was passionately involved in painting, not just that he loved to be with painters, but he was a real expert on 17th Century Dutch painting.† â€Å"He knew these pictures so well, he was so engrossed in these scenes. It seems to me that these pictures are really echoed in Waiting for Godot.† Beckett’s life was changed by the success of Godot – the international impact of the play helped him to win the Nobel Prize for Literature. His publisher John Calder also recalled how the enigmatic Godot could haunt his creator. He recounted how he had once met an anxious Beckett getting off a flight at Heathrow airport. When the plane doors had closed on the runway in Paris, Beckett had heard the loudspeaker announcing: â€Å"Captain Godot welcomes you on board.† â€Å"I wondered if my destiny had caught up with me at last,† Beckett had told his publisher. The Beckett International Foundation at the University of Reading will hold a series of seminars on Samuel Beckett and Waiting for Godot in April 2013.

Sunday, January 5, 2020

Book Report History of the World in 6 Glasses Essay

AP World History A History Of The World In 6 Glasses 1. The consequences of agricultural revolution was a turning point. Civilizations began focusing on making surpluses rather than producing new food and crafts. They became more modern. (pg.20) 2. The archaeological evidence that supports the cultivation, harvesting, storage and processing of cereal grains is since there werent any other foodstuff to makes soup they were able to make a thick porridge or a thin broth or gruel. This discovery led to the creation of tools and techniques to collect, process, and store grain. (pg.11-12) 3.†¦show more content†¦The service depended on your social class, you drank your own wine however way you liked it. In a Greek symposion everyone was equal, you drank sine from a shared krater.You could sit anywhere and it didnt matter if you were poor or rich.(pg.77-78) 4. In christianity wine was a miracle. Wine drinking in christianity was a form of sacred communion. In Islam alcohol was an abomination divided by satan. It is a distraction from daily prayers to god. It leads to other sinful doings like gambling prohibition of alcohol in Islam.(pg.87) 5. Wine drinking predominates in the South of Europe. In the north of Europe beyond the reach of roman rule. Today, the worlds leading producers of wine are France, Italy, and Spain. Beer is drank in Germany, Austria, Belgium, Denmark, the Czech Republic, Britain, and Ireland.(pg.89) 6. Greek and Roman cultures had an impact on modern day american and European culture. They passed on architecture and literature. They also passed down law and christianity. Chapter 5 1. One of the many acheivments of the arabs was a technique that gave rise to a new range in drinks(distillation). It involved vaporizing and then re-condensing a liquid in order to separate and purify its constituent parts. The Greeks became familiar with this technique, it became dominant. European explorers established colonies and then empires around the world. 2. Prince Henry becoming theShow MoreRelated Anthropology and Social Work Essay2685 Words   |  11 Pagesthat we are wearing Kants irremovable glasses when it comes to viewing other culturesSHY;our own personal biases and beliefs are fully intact. This ethnocentric viewpoint (defined by John Bodley as the tendency to evaluate other cultures in reference to ones own presumably superior culture2) is the biggest stumbling block to understanding other cultures and recognizing their own inherent value. The aim of the good ethnographer is to take off the glasses of ethnocentrism as often as possibleRead MoreNew York City : A New Place For Couples1596 Words   |  7 Pagesyou have unlimited on and off privileges so that you can tour sights of your choosing in more detail and at your leisure. 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